Visual Art Depeartment - Student Gallery

Andrea T

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2025｜Ceramics｜Linear Motifs in Ceramic History

Spanish. Pharmacy Jar. 1400-1450, tin-glazed earthenware, The Met/Medieval Art, New York City.
Lindh, Francesca Mascitti. Vase. 1983, mixed clay. V&A, London.
Ming Dynasty, Jiajing. Abascus. 1522-1566, porcelain. The British Museum, London.
Title
Size
Medium
Spanish. Pharmacy Jar. 1400-1450, tin-glazed earthenware, The Met/Medieval Art, New York City.
Lindh, Francesca Mascitti. Vase. 1983, mixed clay. V&A, London.
Ming Dynasty, Jiajing. Abascus. 1522-1566, porcelain. The British Museum, London.

Artist Statement

Introduction: In this blog post, I have chosen three historical, distinct ceramic works that includes linear motifs from three museums through their online website. By doing so, I am exploring how artists use line to create structure and convey symbolic meanings, which I will later take inspiration from in my own works. 

Conclusion: After my research, I have learned that linear motifs are not only limited to the outer structure of the artwork, but also the designs on the surface and the purpose/usage. These motifs will be implemented in my artworks as I could still make round vases/pots but include straight designs or attach linear pieces.